I would imagine all writers have moments like this...
In the midst of your everyday activities, you run across something you wrote and, for any number of reasons, was never used. What follows is such a specimen of unseen text that was intended for Fantagraphics Hardcover Library of "Mickey Mouse by Floyd Gottfredson - March of the Zombies" (2015).
Due to a variety of factors that I suspect were too unimportant for anyone to clearly recall at this date, I found that I had prepared an introductory text for “Mickey Mouse on a Secret Mission”, a story that had already been assigned to Thad Komorowski - who, as you would expect, did an awesome job with it!
As lesser-luck would have it, I learned (or realized) this rather important fact after I had completed my own text intro. And so it lie dormant on some old "memory stick" while I hurried a text intro for a different story into production...
...Until I rediscovered it today, and decided that it would make for good "Blog-fodder"! (No gangster jokes, please!)
So, from out of a past that, for whatever reason (choose your own), seems much more distant than it really is, we present...
“Something Old, Something New, Something Borrowed, and
Something ‘Blew’ by at Incredible Speed” … or, “It All Comes Out in the
Walsh”!
If the now-popular phrase “game changer” existed in late 1942, there’s no doubt it would apply
to the coming of Bill Walsh as writer of Floyd Gottfredson’s
Mickey Mouse newspaper strip continuities.
Defying the apparent contradiction in terms, Walsh
simultaneously takes us to “familiar places” and to those completely new. “New places” applied particularly to subject
matter, with many notions that were inconceivable just a few years
earlier.
His first tale, later given the “spoiler title” of “The Nazi
Submarine”, is essentially a short, gag-oriented story of Mickey going
undercover to bust a black market gasoline ring. Where it leads, however, is a place where “no
Mouse has gone before”, a confrontation with Nazis!
Consider that our hero has vanquished villains of every
stripe, from ordinary “egg-robbers”, to western bandits, mad scientists, and
even crooked lawyers. But, this was a
new and universally feared type of evil now infiltrating the shores of
Mouseton. We’re hardly allowed recovery
from the shock, before Bill Walsh ups the ante, in his epic second effort, by
sending Mickey on an unprecedented “Secret Mission”.
As our essay title suggests, “Mickey Mouse on a Secret
Mission” is a nicely executed balancing act of “Something Old” and “Something New”,
beginning with Mickey’s kidnapping. The
perpetrators of the abduction are eventually revealed as government agents who recruit
the Mouse for a patriotic mission, mirroring 1936’s “Mickey Mouse Joins the
Foreign Legion”.
Other familiar beats include: Mickey’s unsuccessfully donning a disguise to
gather intel, as seen in “Mickey Mouse Outwits The Phantom Blot" (1939), and
Mickey’s spirited midair melee with Peg Leg Pete from “Island in the Sky" (1936).
However, it is Walsh’s nice satirical twist on this “skirmish
in the sky” that also places our story firmly into the “New” column, as
Mickey’s modern combat techniques fall far short of his good old fashioned
brawling, when it comes to giving Pete a pummeling.
The “New” side of the ledger is also livened by Walsh’s use
of sub-conscious or out-of-body selves for both Mickey and Pete, a heretofore
never attempted “sideways vertical” panel in the strip of October 5 (which
Western Publishing reformatted into an ACTUAL vertical panel for the reprint in
WALT DISNEY’S COMICS AND STORIES # 48, 1944), and the story’s main focus: the
super-plane known as “The Bat” – let alone Pete’s startling conversion from
“garden variety thug” to Nazi spy.
Since “something borrowed” (from prior Gottfredson
continuities) is also “something old”, let’s advance to that “something that
blew by”.
Walsh and Mickey use the super-speed and sheer power of The
Bat to wreak havoc on the Nazi war machine with deftness of action usually
reserved for animation. As great a
practitioner of the classic Disney style, within the “still” medium of the
comic strip, as Floyd Gottfredson was, the non-stop comedic destruction brought
on by The Bat seems to have “upped his game” all the more to keep pace with
Walsh’s mile-a-minute mauling of our enemy’s vaunted might.
If there is a minor criticism of “Mickey Mouse on a Secret
Mission” to be made, it is in Walsh’s overall pacing. The training and initial flight sequences, as
humorous and entertaining as they were, played out over 23 strips, from July 29
thru August 24. In stark contrast,
Pete’s capture was accomplished in only ONE strip – and, in actuality, one
PANEL. Perhaps the front-loading of gags
led to a forced and abrupt ending to Pete’s spy stint that moved even faster
than did “The Bat”!
Not to worry, however, because Bill Walsh would “work it
out”, and his seemingly-limitless imagination would introduce us to such
memorable characters and concepts as Eega Beeva, The Rhyming Man, “The Lectro
Box”, and “The World of Tomorrow”! …I
can’t wait to see it all unfold again!
[END of Unused Text]
...And "unfold" it most certainly did - making us all the merrier for it!
For anyone who has the book pictured above (...And WHY WOULDN'T YOU? It's great!), check out the text I *did* submit!
If there's anything I learned from watching the great Irwin Allen's 1960s sci-fi TV shows, it's that "you never throw something away, if you can use it again"! So, have a gander (not Gladstone) at the amount of material from this unused text that I repurposed for the published text on page 134.