Dinky and Donald Duck: "Separated at Mirth" and United by Other Factors!

One of the things I love most about indexing comic books for the GRAND COMIC DATABASE (GCD) is the optional assignation of "Unofficial Titles" to untitled stories and covers.  My unofficial title for the cover of  DINKY DUCK #8 (St. John Comics, Cover Date: February, 1954) is... (wait for it...)

"Schematic for a Good Ski-Medic"

There's a title even *I'm* impressed by :-)  I also LOVE this cover!  Perfectly capturing the characters of obnoxious egotist Rudy Rooster, and his overly-loyal and faithful pup Dinky Duck. 

A similar Carl Barks cover had HD&L "standing-by" with a med-kit as Donald was about to ski, but Dinky actually going down the mountain AFTER Rudy, shows his (oft-misplaced) concern AND much better carries the gag!  

Of course, it could (...and probably SHOULD) be said that, as good Junior Woodchucks, you'd expect the Duck boys to take the more sensible approach!    

WALT DISNEY'S COMICS AND STORIES #149 (Dell Comics, Cover Date: February, 1953) - one year earlier! 

Whichever one you prefer, I think it's safe to say that it's "snow fun" being Donald or Rudy when they carelessly demonstrate "tropes on the slopes"! 

Separated at Mirth: Great Ball's O' Fire!

Well, maybe not exactly Separated at... "Mirth"... unless your idea of fun is being under attack by fireballs - but, for any of you Fireball Fanciers out there, we humbly submit... 

DONALD DUCK #101 (Gold Key Comics, Cover Date: (May, 1965)...

...And WONDER WOMAN #99 (DC Comics, Cover Date: July, 1958).

One thing they DO have in common is that both are breathtaking images!  DONALD DUCK #101 is by Carl Barks.  WONDER WOMAN #99 is by Ross Andru and Mike Esposito.  Each are the most classic artists for their respective characters - and it certainly shows here!  

And, while not a comic book cover, I'd be remiss if I didn't include this striking image from LOST IN SPACE, "Condemned of Space" (1967), with the Jupiter 2 narrowly avoiding a catastrophic collision... with guess what?!  

All three are guaranteed to "light up your life" in their own unique ways!  

I’m Not an Artist (...or Colorist), But… WHAT Massive Fist?!

I am not an artist, nor am I a colorist.  If I WERE a colorist, I would be a worse colorist than I would be as an artist.  

It's not just a matter of specific skills of art and coloring that I have never possessed, it's also my admitted lack of creative imagination in those two areas!  

Oh, I have an almost limitless creative imagination in the area of WRITING!  This Blog, my many APA and fanzine writings of yore, and my professional comics work bear testament to that.  But, even if I had sufficient skills in the areas of art and coloring, my work would at best rank as pedestrian, as I have scant (all together now) creative imagination to apply to said work. 

Art is, of course, a matter of subjective taste.  Meaning that while I (and, presumably, most of you) really like things like THIS...

 ...Or THIS...

 ...Or THIS...

...I do allow for the possibility, remote as it may be, that there COULD BE some folks who actually like THIS...

...Even if it's only the artist himself, and possibly his editor!  

But, when COLORING fails, it's pretty much universal!  For instance, take the cover of HAWKMAN #6 (DC Comics, Cover Date: February-March, 1965) and its titanic struggle between Hawkman and a great winged-gorilla. 

Hawkman says: "Got to bring my mace UP -- before that massive fist comes crashing DOWN!" 

MASSIVE FIST?!  WHAT MASSIVE FIST?!  Without squint-staring really hard, do you see any massive fist?  

Quick aside: It has nothing to do with the quality of the digital image used above.  I have the actual comic here beside me as I write this, and the "real thing" looks exactly the same!  

It would seem to be a matter of too much dark brown concentrated in what should be a critical area of the illustration!  

Let's assume there was insufficient room for artist [The Great] Murphy Anderson to position the gorilla's arm and fist elsewhere on the cover, as the dramatic focus of the piece is the gorilla about to smash Hawkman into a fine Hawk-puree! (Sorry, but my keyboard doesn't allow for the accent mark, and spell-checker isn't offering it either!) 

But, perhaps just the slightest bit of gradation in the dark brown might have made a difference, or maybe a better-defined outline of the gorilla's arm and fist to separate it in depth relative to the  gorilla's wing! 

Then again, the coloring techniques of the Silver Age were far more limited than they would be beginning in the 1980s, so I don't have a definitive solution to offer.  

But, that's why I’m Not an Artist (...or Colorist), But… I'm still left to ask "Massive fist? WHAT massive fist?!"

Oh, and for a "massive fist" that you actually CAN see clearly, try this on for massive-size!  

Oh, THAT massive fist! Got it!  

No, actually Superman got it... right in the super-breadbasket! 

Adventures in Comic-Boxing: Pebbles and Bamm-Bamm... Pebbles and Splish-Splash!

Here's a comic book that featured "PEBBLES and BAMM-BAMM"! 

Here's a comic book that featured "PEBBLES and SPLISH-SPLASH"! 

Gotta love this gag from MUTT AND JEFF # 103 (DC Comics, Cover Date: June, 1958), with individual panels enlarged for your reading pleasure. 

So, while in this comic, Pebbles watches Bamm-Bamm go "BAM! BAM!"

We learn that another "Pebbles" went SPLISH-SPLASH"!

Johnny Cash once sang: "Life ain't easy for a Boy Named Sue"!  

Neither, it would seem, for a boy named "Pebbles"! 

Adventures in Comic-Boxing: Our Changing Language: Unfunny Then, Funny Now!

The English language is (as modern languages tend to be) a living and evolving tongue!  We see examples of it every day.  Older comics often provide inadvertent examples of this, as seen on the cover of SPOOKY SPOOKTOWN #65 (Harvey Comics, Cover Date: October, 1976)! 

In 1976, and up until more recent years of "real-time", this would have been just another unfunny gag cover, that relies on the presence of a needless dialogue balloon to pull off what little of a gag there might be. Such was all too typical of Harvey in its later years!   

That's not to say that the gag, as such, could not be somewhat funnier with no dialogue and different staging!  Leaving it as-is, but silent, would be a slight - but immediate - improvement.  

Or restage it in such a way that still has the guy looking aghast into his fridge at the chicken bones - but angle it from his back... and, in the foreground, have Spooky walking away from the fridge... still carrying the largely-bitten drumstick!  You could even have Spooky drawn in those "outlining-dotted-lines" that were used as visual shorthand for him being invisible. Have a look of satisfaction on his face, and maybe even a "burp!" for added effect!   

To be fair, I'll even present an example of when a similar gag worked!  From SPOOKY #45 (Harvey Comics, Cover Date: (July, 1960)... 

... With a SILENT COVER GAG that also worked, I might add! 

"GHOST TOASTIES" works because (A) it rhymes, and (B) Post Toasties was an actual breakfast cereal of the time! 

But, back in the American Bicentennial Year, this superfluous spook-said sentence was simply not funny.    

However, let's jump ahead to the 21st Century to find that "GHOSTED" carries an additional - and altogether different - meaning:

"In slang, "ghosted" means someone has suddenly and abruptly ended all communication with you without explanation, typically in the context of a relationship or dating. They stop responding to texts, calls, or other forms of communication, effectively disappearing from your life."

Indeed, Spooky has, quite literally, made the roast chicken "disappear" from the unfortunate midnight-snacker's life!  

It would seem that all has gone well for our "Tuff Little Ghost"... at least until he "washes down his ill-gotten foodstuff" with a few too many strawberry sodas! 

And you can bet that Spooky wishes this bad karma would GHOST HIM!  

Adventures in Comic-Boxing: The Pink Panther Meets... Mighty Mouse?

I never cease to be amazed at how different comic books can be outside of the USA!  But this German edition of THE PINK PANTHER (Der Rosarote Panther #65), takes the Bavarian Chocolate Cake! 

Mighty Mouse AND The Pink Panther??!  ...And for 100 Seiten... er, pages?  

Golly, has The Commissioner ever looked so happy when in the presence of The Inspector?  

I guess he figures that, however badly The Inspector messes up, Mighty Mouse will be there to save the day!  

Either that or, after so many years of The Inspector's incompetence, The Commissioner has finally gone batty!  

Separated at Mirth: Them's the BRAKES, Pal!

Today's Mirth Separation comes to a FULL-STOP with the cover of MUTT AND JEFF # 22 (DC Comics: Cover Date: June-July, 1946) and a Gandy Goose gag from LITTLE ROQUEFORT # 2 (St. John Comics: Cover Date: August, 1952)!  

CLICK to Enlarge

We've seen the MUTT AND JEFF cover before, as part of THIS POST, but now it BRAKES through again for its second Separation at Mirth! 

In fact, if you arrange them THIS WAY, it looks like a "related-gag head-on-collision"!  

Since this won't end well, perhaps we'd better cut off this post right here...

TIAHBlog at 16 Presents 16 Covers -- Number Sixteen: AT LAST!!!

Staggering winded and achy across the finish line of this sixteen-post marathon, it's time to keep a semi-promise I made earlier in this (gasp!) sixteen-count-series... TOP THREE COVERS, finally  - naming a THIRD cover to join THIS ONE...

...Which shared co-honors with the one below, both by Bugs-master Tom McKimson (... and both counting as a single-occupant of one of those precious three slots - yes, I'm doing TWO-INTO-ONE here, but I was never very good at math)! 

And, of course, THIS magnificent Batman cover by Neal Adams! 

An image so strong, so powerful, so awesome, that you don't even bother to question why Batman remains masked... and "pants-ed" for that matter!  

And, while all of these had great stories backing those covers, they were primarily selected on the sheer brilliance of the covers themselves!   

But for that final slot, I find myself looking beyond strictly images, getting into the story it illustrates and the significance of said story - simultaneously noting that the cover is great in and of itself!  

So, without further ado (and "further a-don't", even) my list of  TOP THREE COVERS - in no particular order - is rounded out by (...pause for effect, while we cue the drumroll)...

DONALD DUCK in LOST IN THE ANDES by the great Carl Barks (originally published in 1949 by Dell Comics, as part of their unparalleled-in-comics-history FOUR COLOR SERIES!) 

...But, NOT the original printing as seen above!  No, the one that means much more to me is its first American reprint in THE BEST OF DONALD DUCK #1 (Gold Key Comics, Cover Date: 1965)!

While it has a little less detail than the original FOUR COLOR cover, I feel the BLUE background served the illustration far better than the garish orange of the Dell version!  You can take your pick! 

But, as I indicated, it was what this version REPRESENTS that makes it special!  

Walking up the corner street to the nearest soda fountain store that carried comics with my aunt (not the one with the nice house - but the "more fun" one who lived off-and-on with us) on a Friday early evening (knowing there was no school for two whole glorious days) and finding this on the rack!  I was so excited, I didn't even WANT a fountain soda!  I just wanted to get this baby home, and leap into it!  

...And finding it to be (what *still is*) my choice for THE SINGLE GREATEST COMIC BOOK STORY OF ALL TIME!  THIS POST can tell you why, and spare me the additional marathon-depleted-effort!   

And so we name THE BEST OF DONALD DUCK #1 our well-deserved and final (whew!) cover number sixteen! 

Now, if you'll excuse your exhausted and beleaguered host, I'm going to completely self-dissolve in a pail of liquid human-goo!  If any portion of me remains, those parts (once congealed) will be back soon!  

TIAHBlog at 16 Presents 16 Covers -- Number Fifteen: Preposterous Puppetry!

A gimmick often used by Silver Age DC comics was the "TRANSFORMATION", where DC heroes would somehow be (all together now) transformed into some... rather unusual form of themselves, making for an eye-catching cover image.  

Why it happened and how it was overcome was secondary to the image itself, which was often said to be handed to the poor writers who were tasked with writing a story around the bizarre looking covers!  

While virtually every DC hero underwent this sort of publisher-mandated metamorphosizing, the ones who... um, "carried most of the weight"...

...And sometimes carried it literally, were THE FLASH and JIMMY OLSEN! 

.

I've never done an official count (...and probably never will... Horrifically Busy, you know) but THE FLASH and JIMMY OLSEN just seemed to have more of these experiences than the others, and of a wider variety too! 

But there was one FLASH transformation cover that, for the sheer outrageousness of its execution, outdid all the rest!  In fact, it's become a legend among Silver Age DC aficionados.  It is  (...pause for effect... Say, can you actually "pause for effect" when you're WRITING?  It's not as if the reader is going to stop reading and hold his or her breath, simply because you said so! Did any of you really do it?)  ...THE FLASH #133 (DC Comics, Cover Date: December, 1962)!  

Abra Kadabra was a recurring Flash villain, and responsible for a share of Barry (Flash) Allen's strange twelve-cent era transformations!  

A flamboyant showman, Abra Kadabra was a common stage magician - but from the 64th century!  He had no actual magic powers but his mastery of 64th century science and technology seemed like true magic and sorcery to the masses of the comparatively backward, primitive 20th century.  

And it was with such amazing future-tech that he performed his evil miracles... including turning The Flash into a PUPPET!  

Now, the very image of it was outrageous enough, even for Silver Age DC, but what really puts it over the top, and into a class of its own is Barry's line of thought-dialogue!  

I mean, it's not like Bugs Bunny saying: "Did ya ever have da feeling ya was bein' watched?"

Because, at different times and in different situations, we all HAVE been watched!  

...But how many of us have ever been "TURNED INTO A PUPPET"?  

I'd figure that. even if I *DID* live in the Silver Age DC Universe (...which made my kid-hometown look like Mayberry, USA -- or I lived in TODAY'S DC Universe, which makes the *Silver Age DC Universe* look like Mayberry, USA!), there'd be little chance of my ever "being turned into a puppet!" 

I mean, how would you KNOW you were "being turned into a puppet!" 

What would it even FEEL LIKE so that, without being near a mirror, you could just sense that you were "being turned into a puppet!" 

If merely looking at your own arms and legs, it could probably - and more likely - be an ordinary, run-of-the-mill Silver Age DC transformation... like being turned to wood!  

In fact, that even happened to him at least ONCE!  ...And it would account for any stiffness he'd be feeling in his arm and leg joints!  

But nope, this month's metamorphosis is unapologetically of the puppet variety! 

...And, if YOU ever get "the strangest feeling that YOU are being turned into a puppet", please let me know what it feels like!  I've been wondering about it for years!  

For all I know, perhaps I *HAVE* been "turned into a puppet" for some time, but no one could summon up enough nerve to tell me!  "Say, doc, about this stiffness in my joints... Oh, just get some rest and take a few pills, eh? Oookay! ...And why have all the MIRRORS been removed from my house?  The car's kinda tough to drive without those rear and side-views!  How do you explain all these STRINGS in my clothes closet? ...Long shoelaces?  I guess..."

So, for its SHEER AUDACITY (...and because we puppets gotta stick together) our Cover Number Fifteen goes to THE FLASH #133... with (wait for it) "no strings attached"! 

...WHAT? You're STILL WAITING?  That WAS the joke! 

 TELL 'EM, FOGGY!  ...Aw, skip it! 

JUST ONE MORE TO GO, AND I'LL BE FREE... FREE... FREE!  F-R-E-E!!!  ...Ya know, maybe I just might miss doing this!