Saturday, March 19, 2022

GOLD KEY IS BACK!!

From our great friend Austin Kelly (by way of the also-great GeoX) comes THIS AMAZING NEWS!

Obviously, I have no idea how successful (or not) this launch will be but, as an original "Gold Key Kid", I wish them all the good fortune in the world - nay, universe - and I will be there to support their product!  

If their intent is to recreate as much of the "Classic Gold Key" as possible, consider the possibilities... like maybe the next home of regular Disney comics?  


I tend to doubt they'd be able to get the STAR TREK license, as it would likely be too expensive at this point (with Paramount going full-bore on making it a multi-series streaming franchise), but I'd certainly be on board as a consumer for a new BORIS KARLOFF title, or TWILIGHT ZONE!  


Note the (non) "gold key" on that TWILIGHT ZONE COVER!  And, in the comics they inspired, Karloff and Serling can live forever! 

Warner Bros. and Hanna-Barbera are sewed up by DC who, with the exception of the wonderful BATMAN & SCOOBY-DOO MYSTERIES...


...frankly isn't doing all that much of note with some of the greatest properties of all time... ya know, like THESE! 


...And didn't Gold Key do them WELL, folks?! 

But there are also other former Gold Key licensed properties not presently beholden to larger publishers such as TOM AND JERRY and WOODY WOODPECKER...


...Just waiting to be plucked from their undeserved comic-book obscurity!  

Wherever it goes, it'll be interesting... and, if their efforts live up to the great GOLD KEY name, they will have my support every step of the way!  


...Just don't revive the "Gold Key Comics Club"... PLEASE!  

Monday, March 7, 2022

Separated at Mirth: The Old Rockin' Chair's Got... Ski!


It's difficult to imagine two relationships in comics as different as Mickey Mouse and Goofy and Fauntleroy Fox and Crawford Crow, but they still managed to pull off the same cover gag, becoming "Separated at Mirth", in MICKEY MOUSE # 23 (Dell Comics, Cover Date: December, 1952 - January, 1953) and REAL SCREEN COMICS # 107 (DC Comics, Cover Date: February, 1957)!



Things to Note:

Goofy is merely being his simple and eccentric self, while Crawford takes great delight in besting Fauntleroy.  

Mickey and Goofy are skiing right to left, while Fauntleroy and Crawford are skiing left to right.  If you were to place these comics next to one another, with REAL SCREEN COMICS # 107 on the LEFT and MICKEY MOUSE # 23 on the RIGHT - and set their characters into motion - Mickey would run over Fauntleroy, and Crawford (on his downward arc) would slam into Goofy! 

Fauntleroy could just as easily have been SKIING DOWNHILL, as was Mickey, only to have Crawford pass him in the rocking chair.  There was seemingly no need for the SKI JUMP aspect of the gag, except maybe to give Fauntleroy an ADDITIONAL PRATFALL to go with his defeat.  

Crawford may be smiling now but, if he lands "forward-rocking-rungs-first", he's looking at a far worse pratfall than Fauntleroy!  Whoever laughs LAST, you know...  

The cover of MICKEY MOUSE # 23 was reprinted as the cover of MICKEY MOUSE # 140 (Gold Key Comics,Cover Date: February, 1973).


The covers of MICKEY MOUSE # 23 and REAL SCREEN COMICS # 107 were drawn by Dick Moores and Jim F. Davis, respectively.  

Unlike Crawford, if Goofy just CONTINUES TO LEAN BACKWARD, he will be okay.  ...Unless, being Goofy, he leans TOO FAR BACKWARD!  

There you have MICKEY MOUSE # 23 and REAL SCREEN  COMICS AND STORIES # 107 - Separated at Mirth!  


Saturday, February 26, 2022

Adventures in Comic-Boxing: The One-Shot "SUPER" Super Goof Logo!

The Gold Key/Whitman logo for Super Goof, remained fairly consistent over the 19 years and #74-issue run of the title.  

From first to last:


But, for ONE EXCEPTION... SUPER GOOF #46 (Gold Key Comics, Cover Date: April, 1978)...

...And it's peculiar attempt to simulate the SUPERMAN logo (in "Goofy-style"?). 


SUPERMAN #338 (DC Comics. Cover Date: August, 1979)... which, oddly (...and apropos of little, unless you like making these connections as much as I do), had a Whitman variant (below). 


And, speaking of "odd", the "Superman-style logo" sported by SUPER GOOF #46 was not even specifically designed for that particular cover...


...Because the cover was a REPRINT from SUPER GOOF #9 (Gold Key Comics, Cover Date: December, 1967)!


How or why this logo came to be - and the reason for its lasting for only one issue (...maybe DC raised an objection?) - is just another one of those things about Western Publishing that is forever lost to history! 


SUPERMAN #338 cover by Ross Andru and Dick Giordano.

SUPER GOOF #9 and 46 covers by Paul Murry. 

Who drew the LOGO for SUPER GOOF #46 is anybody's guess!  

Monday, February 21, 2022

A Gag I Shared with Dana!

As you all know, my dear friend Dana Gabbard passed away January 11, 2022, at the age of 59, as I posted HERE!  I miss him all the time, and want to share just another of the many jokes and gags we had between us.   

Since becoming friends in the early 1980s, Dana and I had countless discussions about the state of the comic book industry... the few things we thought were good and/or improving - and the greater number of things we thought were bad and/or getting worse. 

One of the worst things either of us could imagine was the rise of CGC!  

CGC, for those not in the know, was the first entity to "professionally grade and entomb in plastic" comic books that were (and are) thought to be valuable!  Some imitators have followed in this abominable practice, but CGC was the first and remains the best known.  

The fundamental problem we had with this misguided concept is that we both felt that COMIC BOOKS OUGHT TO BE READ AND ENJOYED, not salted away like some form of "newsprint currency"!  

Every comic book that undergoes this process will NEVER BE READ AGAIN!  

Well, maybe not EVERY one... says this traditionalist contrarian.  

You see, I got me some of them there "imprisoned comics" (because I couldn't find any copies that weren't "imprisoned") and set them FREE!  

WHY? ...BECAUSE I WANTED TO *READ* THEM, THAT'S WHY! 

I fully intend to detail that experience in another post (let's hope I actually follow through on that, because it was a real hoot to crack open those "clear flat coffins" like plastic walnuts), but what does one do with a busted-open CGC slab?  

Well, there's where the joke with Dana comes in... 

As you know, Dana was the publisher of a pioneering American Disney comic book fanzine called "The Duckburg Times"...

...And, just to show Dana how important it was, I gave him a peek at what a copy would look like, if it were slabbed by CGC!  

He got a great big kick out of this!  So much so that I turned it into a trilogy!

One of the comics I worked on...

MICKEY MOUSE (IDW) #6!

...And for a great writer - and a great guy, Sholly Fisch...

SCOOBY-DOO TEAM-UP #50! 

And, of course, the basis for the gag, the liberated comic basking in the fresh air of my comic room!


I gave Dana a great laugh that day - as he and I have both done for decades - and I hope I've given all of you one as well! 

Monday, February 14, 2022

Adventures in Comic-Boxing: Mick's Pix at Styx!

Sorry to have been away for such a long time... home remodeling construction, reorganizing the house - and especially Dana Gabbard's premature passing  - have taken quite a bit out of me.  So, I say to those of you who have stuck with me through this draining period, let's resume with something unusual!

This is the back cover of  my copy of WALT DISNEY'S COMICS AND STORIES #185 (Dell Comics, Cover Date: February, 1956)... Notice anything unusual?  

No?  Okay, let's dolly-in a little closer... 


You should see SOMETHING now, but let's move in a bit more for greater clarity...


Yeah, it's just what it looks like... Mickey Mouse (uncharacteristically cheerful, I might add) preparing to cross the River Styx and meet the Devil head-on (...or would that be HORN-head-on), before a wall of hellfire! 
  Given a bit more "contrast" for better viewing!  

Now, I'll admit to having some "pretty far out there" thoughts when I was a kid - and, in a quiet moment, when my guard's down, I'll admit to still having a few as a (decidedly) young senior citizen... but I'd sure like to meet the kid who self-enhanced his or her copy of WDC&S #185 with THIS particular adornment! 

...On second thought, perhaps not!  

I sometimes write about the "GHOSTS" that inhabit the older, pre-owned issues in my comic collection... but this one not only comes with a "ghost", but a devil to boot!  

   Scary, eh?   

Wednesday, January 12, 2022

R.I.P. Dana Gabbard

My longtime and very dear friend, Dana Gabbard, passed away yesterday at the age of 59.  

Dana (right) and Joe at the 1995 Comic-Con International San Diego.

Dana was both a special friend… and an influence on my life in almost too many ways to quantify. 

He was the publisher of a fanzine called “The Duckburg Times”,  an historically important publication to American Disney comic book fandom - back when information on such things was largely unknown, difficult to come by, and said fandom was in its relative infancy. 

Whether they know it or not, any and every member of this fandom today owes Dana Gabbard a debt for his pioneering efforts… and for the many persons he influenced, that made myriad contributions to that fandom for years to come!

I am, without question, one of those persons influenced - and inspired - by Dana Gabbard.  

It was Dana who, ages ago, asked me to contribute written articles to “The Duckburg Times”... and I expressed doubts about being able to do so!  But, Dana prevailed, and look at all that has since flowed from that (life-changing) invitation - different fanzine writings, over 300 letters in comic book letter columns, professional writing of various text articles on Disney comics, “translation and dialogue” for those same comics for several different publishers… and even this Blog!  

Beyond being an immeasurable influence on so many aspects of my life, Dana was a great friend!  We, and some other close friends, had great fun every year at the San Diego Comic-Con (1988-2003 - with me missing only three within that span).  As I lived in New York and Dana lived in California, it was my annual opportunity to visit with him. 

Dana found a good pancake place, with outdoor dining to enjoy the pleasant San Diego mornings, where we regularly “broke-fast”.  I do not recall the actual name of that establishment but - because he discovered it, and in the tradition of the “International House of Pancakes” chain (IHOP) - one year, I christened it “D-HOP” for Dana, and that became its “official name” among us forever after. 

Evenings, after the con was closed, we often convened at a pizza place called “Little Joe’s” in San Diego's Gaslamp Quarter.  They served their pizzas “California Style” - not like the REAL PIZZA we have in New York!  It was Dana who convinced me to try the radically unheard-of "pizza with pineapple toppings"!  And, while this proud New Yorker still refused to accept this aberration as “pizza”, I enjoyed it very much - and ordered it year after each succeeding year. 

That was one (of so many) of my fun interactions with Dana… the “New York vs. California Thing” For instance, over the six days I’d spend in San Diego (four days of Comic-Con and two days for travel to-and-from), I’d never reset my watch.  When Dana asked me why, I replied “So that I’ll always know what time it REALLY IS!”, leading to a long series of “time-difference jokes”. 

For a while, I'd call him each year as the ball dropped in Times Square, and say something like "Happy New Year - from  THE REAL 1995!" 

Dana laughed, and I was totally dismayed, when a San Diego police officer stopped me... for jaywalking!  I was SO surprised that I told the officer that "We do it in New York all the time!" I guess I was both sufficiently sincere and taken-aback that I was let off with a warning!  Dana had that one on me for a long time to come! 

As was often the case in the primitive early-1980s, my friendship with Dana played out over correspondence (ya know, like "letters"), because even phone calls between New York and California (...or, as Dana would put it "California and New York") were prohibitively expensive.  But, when I was hospitalized in 1984 for what is an easy in-and-out procedure today (...as I said, "primitive"), Dana bore the "impossible-to-conceive-today" expense of calling me once I'd returned home  for a recuperative period!  ...And it was a long call! His actions delighted me no end that day!

I could go on and on, but I hope I've given you the smallest feel for the fun we had, and why Dana Gabbard was such a special friend!

My last "interaction" with Dana (...if you could call it that) was his sending me a Christmas card, in which he wrote: "Call sometime!"

I explained in an e-mail to him that we sent out no Christmas cards this year because of the construction chaos, and that also impacted my ability to make all but brief phone calls - and promised him that we would have a lengthy conversation as soon as the construction yielded to a more "normal life". 

That e-mail went unanswered... and, unfortunately, I now believe I know why...

I know it's a poor substitute for that unmade phone call but, if Blogs can be read in Heaven, I hope this somehow reaches you, and reminds you of all the great times we've shared! 

Thank you, Dana… for all you’ve done… and continue to do!  I'll do my best to "pay it forward" at every opportunity!

---------------------------

Perhaps ironically, due to the very same home construction that I used to delay that "never-will-be" phone call to Dana, my scanner is disabled and I can't access any old photos - so I do not have an image of Dana to present with this post.  I will retroactively remedy that (and remove this passage), as soon as the situation allows.  ...UPDATE: I did locate one photo of Dana, which I had used in an older blog post, and put it here. As the construction (eventually) subsides - and I have access to my scanner and actual printed photos, I will add more!


Wednesday, January 5, 2022

In Search of Ancient Bertrams # 2 "What’s Buzzin’, Bertram?"

 
One of a number of things I've become known for as a translator and dialogue writer/creator for European stories published in American Disney comic books is the use of the name "Bertram"! 
 
More is explained HERE! 

But where did my fondness for the name come from?  Well, it was first seen a comic from "my sainted sixties" of course - and, I'll identify it at some point - but for now "In Search of Ancient Bertrams" will spotlight various uses of "Bertram" in vintage comics that would eventually result in making the name a standard of my comics writing work!


Today's "Bertram" is courtesy of MARCH OF COMICS #81 (Western Publishing, 1952) Oswald the Rabbit!  Art by Lloyd White. 


Tired of the rabbit-routine, Oswald's adopted sons, Floyd and Lloyd, try living as birds.  Unfortunately, they still look like rabbits - and that attracts the hungry attentions of Bertram Buzzard, and his wife Beulah.  

 Look out kids, here comes "Big Bad Bertram"!


I'd venture to guess that Bertram might be a cousin (or something) to another, more famous Walter Lantz character... Woody Woodpecker's regular foe, Buzz Buzzard!  

Note the family resemblance!

Barely escaping, as all little comic book animals are wont to do (...and wouldn't we be sad if they didn't), Floyd and Lloyd do not fare well in the roles of fish or bears either! 

And, as expected, they resign themselves to being just plain rabbits, much to the relief of Poppa Oswald! 


Thanks in part to another "Ancient Bertram"... Bertram Buzzard! 


We've got a bounty of Bertrams in store for future installments of "In Search of Ancient Bertrams", so do come on back! 
...Come for the "Bertram"... Stay for the "Burgers"